"Small Pleasures" is designed for the facade of the Ulrich Museum of Art (Wichita, KS) in place of Joan Miro's monumental mosaic Personnages Oiseaux. Miro’s mural is under restoration from 2012 through 2016, which is the duration of this project. The installation consists of a pixelated print on a billboard-sized banner covering the facade, a small waterproof display case mounted in the middle of the banner, and two telescopes installed across the street for the viewing of miniature works displayed in the case. Each month (or bimonthly), a new item is featured in the 'mini gallery' selected from a pool of submissions. See 'call for entries' for detail.

We have all experienced the aesthetic pleasures of engaging with art and untouched nature. While these experiences do not characterize our daily routines, the aesthetic pleasures of everyday life are also worth acknowledging because they are available to everyone at potentially any moment. This 'exhibition' solicits (art) objects, short pieces of writing, photographs, and everything in between, which capture inspirational moments of aesthetic or intellectual satisfaction that are subtle, fleeting, and often unnoticed.

Local call for entries (Wichita metro area): May, June and July 2013

National call for entries: August 2013 through March 2016 (Application begins June 10, 2013)

Please submit items for consideration through SlideRoom

Note: Work must be no larger than 10"X10"X10" in size. Submissions requiring power supply or sound need to be self-contained (Include battery, solar panel, wireless headphone, etc. Supplementary items are not included in size restriction).

Please note: 1. The Ulrich Museum of Art holds and owns the copyright to objects on view. 2. Because of the nature of this exhibition, I, the Ulrich Museum of Art, or Wichita State University will not bear financial responsibility for damage to objects due to exposure to sunlight, moisture, or temperature fluctuation. Otherwise, objects will be handled with the utmost care.

Each entry is selected by a new person (professional artist, art historian, critic, curator, etc) on a monthly or bimonthly schedule. Each 'juror' is responsible for designating the next. This approach is intended to be as open and democratic as possible while ensuring quality in the selection process. Featured items will be cataloged on this website along with brief statements from the jurors.

The following is a digital catalog of exhibitions

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Ajean Lee Ryan • found fabric, mixed media

As objects, Ajean Lee Ryan’s miniature creations are really engaging. I kept going back, wondering what they are and what their purpose could be. Is "My Mesa" a pile of abject material? A delicious stack of pancakes? A landscape? Perhaps it’s all of the above. – Nina Tichava

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Peter Vas • solar powered garden light

Quote from the artist:

“I recently purchased one of those solar powered garden lights for my porch. I had the top of the light sitting on a table unassembled. The built in sensor activated the light once it got dark in the room, and I was pleasantly surprised by the pattern it projected onto the wall.

To experience the pattern the light creates, the viewer will have to be in the right place at the right time: during or after sunset.”

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Christine Shank • mixed media miniature

Christine Shank's series of photographed dioramas of dilapidated domestic interiors are both haunting and beautiful. The viewer peers through windows and doorways to discover scenes of tragic disasters. Homes abandoned and forgotten. At times, homes destroyed by disasters, both natural and manmade, physical and emotional. The viewer is confronted with more questions than answers.

Her work presents a fragment of a larger narrative and the viewer becomes the author of that larger narrative. I believe Shank's work is perfectly suited for Small Pleasures’ mini gallery because experiencing her work from the safe distance of the telescope further emphasizes the viewer's role in the proposed narrative. – Dustin Parker

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Alma Hollander • text on paper

How is this not one of the simplest and most over-looked of life's small pleasures? 

Word up, Alma.... I'm picking up what you're laying down. – Seth Minor

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James Farmer • found and collected objects, inkjet print

I think this piece is very simple but has the potential to trigger a lot of emotions and memories for the viewer. It's a powerful piece; like a still from a movie. It will mean different things to everyone, and that makes for good art. – Wade Hampton


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Women 4 Women-Knitting 4 Peace • recycled yarn

After the Ulrich Museum’s campus-wide yarn bombing was disassembled in Fall 2012, the yarn has taken on new life through the local chapter of Women 4 Women – Knitting 4 Peace. They are a non-profit that specializes in sending small pleasures to people all over the world.

This organization knits hats, scarves, socks, shawls and other articles of clothing for people living in areas of conflict who struggle to have warm clothes during cold winter months. In additions to these items, ever-smiling peace pal dolls, like the one displayed, are given to the children as a gesture of good will. These odd yet delightful figures bring moments of happiness to children across the globe.

With this selection, I hope viewers will consider the importance of recycling materials, the poetic beauty of the stitch, the shared humanity in the act of giving a hand-made object, and take pride in the efforts of their local communities who are making meaningful strides toward world peace – one small pleasure at a time. – Lindsey Herkommer

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James Ackerley Porter • toothbrushes in jar

I am pleased to present the first object featured by Small Pleasures. It allows me to elaborate on the spirit of the project in general. In many ways, untitled is the perfect intersection of art and life. These toothbrushes, retired from their intended use, have been transformed in the artist's studio as tools in the process of various creative activities over the years. Now they are collected in a recycled jar and claim their own place in the world as part of a spontaneous sculpture. But Porter’s vase of intense color also operates on the border between the private and the public, much the same way that Morandi's collection of bottles or Miro's old shoe in Still Life with Old Shoe served as points of inspiration for deeper investigation. – Levente Sulyok